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ALEX SETON

  • Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact

 

 

Shortlisted artist in 2016 Fleurieu Art Prize, Samstag Museum of Art, Adelaide

June 01, 2016

Alex Seton is a shortlisted artist in the Fleurieu Art Prize for Landscape at the Samstag Museum of Art, Adelaide with his work 'The Best of All Possible Worlds' 2016. 

In 2016 the Fleurieu Art Prize – the richest landscape art prize in the world – will relocate from its home on the beautiful Fleurieu Peninsula of South Australia to the Anne & Gordon Samstag Museum of Art in Adelaide, where it will be presented to city audiences for the first time.

Landscape as a subject for art continues to capture the imagination not only of the wider community, but also increasingly of leading artists wanting to express a connection with place, and who recognise that landscape holds a compelling power for our contemporary culture.

The judging panel: Nigel Hurst, Director, Saatchi Gallery London; Suhanya Raffel, Deputy Director and Director of Collections, Art Gallery of New South Wales; and Erica Green, Director, Samstag Museum of Art.

The 2016 winner of the Landscape Prize will be announced on opening night on Thursday 2 June 2016 and the exhibition will continue from 3 June – 29 July 2016.

 

 

Source: https://www.unisa.edu.au/Business-community/Samstag-Museum/Exhibitions/EXHIBITIONS-1/
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