• Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact
  • Menu

ALEX SETON

  • Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact

 

 

Refuge, 2015. Bianca Carrara, eyelets, pallet. 110 x 120 x 170cm. Photography: Frédéric Albert

Refuge, 2015. Bianca Carrara, eyelets, pallet. 110 x 120 x 170cm. Photography: Frédéric Albert

2016 KOCHI-MUZIRIS BIENNALE

December 07, 2016

Alex Seton is honoured to be included in the 2016 Kochi-Muziris Biennale in Fort Kochi, India. Curator Sudarshan Shetty says of the Biennale's theme Forming in the pupil of an eye:

Forming in the pupil of an eye is not an image of one reality but a reflection of multiple realities and of multiple possibilities in time. It does not question notions of reality, but instead layers many. As its own process, Forming in the pupil of an eye comes from that junction of the physiological with the conceptual. It is an acknowledgement that there is something essential in the way we look at the world, that it is multiple in nature. Forming in the pupil of an eye brings that multiplicity of experience together within the space of Kochi-Muziris Biennale and perhaps to spill over into the world at large.

The Kochi-Muziris Biennale runs 12 December 2016 - 29 March 2017.

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