• Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
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    • The Times of India | Kochi-Muziris Biennale
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    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
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    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
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  • Menu

ALEX SETON

  • Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact

 

 

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Acquisition: Bendigo Art Gallery

October 04, 2017

Alex is excited to share that his work Sometimes the dead are more alive than the living (2017) has been acquired by Bendigo Art Gallery as part of their permanent collection. 

Bendigo Art Gallery is one of the oldest and largest regional galleries in Australia, established in 1887.  Bendigo Art Gallery's collection is extensive, with an emphasis on 19th century European art and Australian art from the 1800's, alongside a strong collection of contemporary Australian art.  The collection includes painting, sculpture, ceramics, decorative arts, photography, works on paper, and Australian art. Alex's work will join a strong collection including artists such as Patricia Piccinini, Bill Henson, Dale Frank, Jan Nelson, Fiona Hall, Emily Kame Kngwarreye, Kit Webster, and Ben Armstrong.

Over the last decade, Bendigo Art Gallery has cemented its reputation for presenting innovative international exhibitions alongside a dynamic and varied suite of public programs and events. Bendigo Art Gallery attracts a diverse audience from metropolitan Melbourne, and from across Victoria and Australia.

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