• Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact
  • Menu

ALEX SETON

  • Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact

 

 

Seton-A-2015-Oilstone01_transparent

Exhibition: All We Can't See

July 10, 2018

Alex will once again be exhibiting as part of All We Can't See, which is touring to Melbourne as part of Melbourne Art Week.

All We Can't See brings together some of Australia's most prominent artists to respond to the The Nauru Files, leaked incident reports written by staff in Australia’s detention centre on Nauru between 2013 and 2015, and published in August 2016 by The Guardian.

These files detail 2,116 separate incidents, including many cases of assault, sexual abuse, self-harm, child abuse and abhorrent living conditions endured by asylum seekers and refugees in the care of the Australian Government. Despite the harrowing nature of the files, the situation remains and the abuse is ongoing.

In the absence of media access to the island, the objective of All We Can't See is to illustrate these stories through creative expression, using art to shed light on all we can’t see.

The exhibition runs from Tuesday 31st July – Saturday 11th August at FortyFiveDownstairs, 45 Flinders Lane, Melbourne.

Prev / Next

Wells Blog

Duis mollis, est non commodo luctus, nisi erat porttitor ligula, eget lacinia odio sem nec elit. Maecenas faucibus mollis interdum. Nulla vitae elit libero, a pharetra augue.


Latest Posts

You must select a collection to display.

Tweets