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ALEX SETON

  • Projects
    • Permanent Good Stream, Some Rocks
    • A History of Forgetting
    • Meet Me Under the Dome
    • The Great Escape
    • Once There
    • Cargo
    • Monument
    • Talents Contemporains
    • The Island
    • Kochi-Muziris Biennale
    • Pygmalion
    • Nothing's Going to Change my World
    • New Work
    • Paper Armada
    • The Journey
    • Someone Else's Problem
    • Refoulement & Last Resort
    • Dark Heart: 2014 Adelaide Biennial
    • Roughing Out
    • Elegy On Resistance
    • The Flag Series
    • Panoply
    • Everything was Beautiful and Nothing Hurt
    • There's No Place Like Home
  • Videos
    • Cargo (2018)
    • Left Turn at Albuquerque (2017)
    • The Alchemic Cycle (2013)
    • Resequent Boulders (2013)
    • Misadventure (2007)
  • Publications
    • Meet Me Under the Dome
    • The Great Escape
    • Monument
    • Once There
    • The Island
    • I Was Here
    • Last Resort
    • Roughing Out
    • Flags
  • Media
    • Sullivan+Strumpf Magazine | A Friend, A Pond, a boat and a stream
    • The Australian | A tribute to victims of silent war Diggers bring home
    • Sullivan+Strumpf Magazine | Meet Me Under the Dome
    • Art Guide | The Great Escape
    • The Guardian | Marble tombstones at Labour conference
    • The Conversation | Honouring the dead
    • Art Guide | Cargo
    • The Herald | NAG acquire Paper Armada
    • Art Almanac | All We Can't See
    • Daily Telegraph | Monument
    • Art Guide | Art & Activism
    • Art Radar | Artist Profile
    • The Times of India | Kochi-Muziris Biennale
    • Art Collector | Q&A
    • Broadsheet | Hard Reality
    • The Guardian | Refoulement
    • Arts Hub | Refoulement
    • Blouin Art Info | Refoulement
    • Daily Review | As Of Today
    • The Conversation | 2014 Adelaide Biennial
    • Runway | 2014 Adelaide Biennial
    • Sydney Morning Herald | Elegy on Resistance
  • News
  • About
  • Contact

 

 

Lenora Glassworks catalogue

UPCOMING SOLO EXHIBITION AT THE LOCK-UP

April 19, 2022

From 3 December 2022 – 5 February 2023, Alex will present a new solo show at The Lock-Up in Newcastle. The exhibition will explore the possibilities of combining glass and stone to consider the themes of memory and place and how they relate to Australia’s history of migration. Inspired by the archives of the Electric Lamp Manufacturers of Newcastle Glassworks and Lenora Glassworks, as well as stories of the many ship-jumpers incarcerated at The Lock-Up, the exhibition will engage with Australia's colonial past as a penal colony and as a place for forgetting, both deliberate and accidental.  

In combining glass and stone, Alex will seek to reflect on the experience of the prisoners once held in the lightless, windowless cells of The Lock-Up. Glass being a medium of light (hope/memory) and stone being a medium of permanence (place/history), the two mediums have an opportunity to intermingle with the confined architecture of a place that has its many stories written on its walls. 

In preparation for the exhibition, Alex will undergo a six-week residency at Canberra Glassworks to develop skills in glass techniques. The exhibition and residency have been supported by the NSW Government through Create NSW.

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